According to the Whims of Committees--The Process with Jason Jaspersen ~ Bread for Beggars

There was a cover band at the reunion party. They were playing 90’s hits fairly well. I’ll admit I did bust a move or two, but something occurred to me part way through my night as a Johnny impostor. Knowing approximately three out of the hundreds of people there afforded me time to try to understand.

All nine members of the cover band seemed to know their instruments well. Songs would melt into each other seamlessly for long, well-rehearsed stretches. So they were good at what they did, but what were they doing?

Technique?

It’s a shallow relationship of nostalgic sound bites and crowd-pleasing prompts.

Is this what Richard was warning me about in our slip discussion this morning? This band certainly put a lot of time and energy into preparing and delivering this content.

But where were they in all of it? A deep relationship with instrumentation, lyrics, audience interaction was all absent. Audience members engaged in a sort of mob psychology that lacked foundation beyond nostalgia.

It amounted to an awkward group aerobics event.

While I did have a good time, it got me thinking about the differences.

Where does my art come from?

Do I intend for a deep relationship with my audience or my materials?

To what extent do I encourage fleeting, superficial encounters?

What does it mean that I haven’t committed to any one medium?

I put a lot of time and energy into my creative work, but to what end? I seem to always be rushing to meet deadlines.

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Here’s a portion of my application letter for this residency,

“I’ve never applied for a grant, residency, or anything of this sort. I’ve operated my studio practice for 20 years believing that I should be supported solely by a market that wants what I produce. I’ve done fairly well at keeping commissions flowing, but there is always a trade-off.
By focusing on commissioned work, I’ve had to distance myself from myself. Long ago, I made work that turned my insides out and made my invisibles visible. Today, I schedule my output and make revisions according to the whims of committees. I believe this residency would
refresh me a bit with a new environment.”